Weimar Berlin, 1927
Having recovered from the hyperinflation, the decadent metropolis is prospering against all odds. Unbothered by the turbulent events of the previous years, Berlin plunges into an orgy of life, entirely oblivious to the dangerous signs of an upcoming catastrophe.
Much like the rest of Berlin’s artistic elite, Margot von Steinhoff is too preoccupied with her work on the set of the infamous Fritz Lang, to pay attention to the dark shadow of the nationalistic threat hanging over the city. When Ernst Weniger, her former lover and now an official NKVD officer, asks for her help in aiding the German communists, she refuses at first, choosing to stay apolitical, just like Lang. However, when the new Gauleiter of Berlin, Joseph Goebbels, arrives in the city and begins his relentless campaign of harassment and misinformation, Margot realizes that staying neutral is no longer an option. Playing on the wrong side can cost her not only her career but her freedom, yet Margot has never been more certain of her choice.
“I don’t read political newspapers, Margot. I only want to make my films… I don’t want to have anything to do with all those politics.”
“I don’t want to have anything to do with them either. But the sad fact is that sometimes politics wants to have everything to do with us, regardless of our desires. At some point, all of us will have to take sides. The good news, Fritz, is that I’ll always be on yours.”
Dark, gritty, yet full of hope, “Spies” is the novel of the doomed Weimar Republic and the last generation of free-thinking artists who lived and created their masterpieces in a city, on the verge of collapse.